01990cam a2200313Ii 45000010014000000080041000140200034000550200034000890200034001230200030001570200031001870240032002180350021002500500022002710820016002932450130003092460051004392460038004902640058005283000040005865050266006265200558008926500020014507000021014707000024014917000022015157760053015378560086015909781315850115180706s2014    enkab   ob    001 0 eng d  a9781315850115q(e-book : PDF)  a9781317911708q(e-book: Mobi)  a9781317911715q(e-book: ePub)  z9780415705400q(hardback)  z9781138913837q(paperback)7 a10.4324/9781315850115 2doi  a(OCoLC)884017626 4aPN1972b.R68 201404a791.5bR86904aThe Routledge companion to puppetry and material performance /cedited by Dassia N. Posner, Claudia Orenstein, and John Bell.30aCompanion to puppetry and material performance30aPuppetry and material performance 1aAbingdon, Oxon ;aNew York, N.Y. :bRoutledge,c2014.  a1 online resource (xxiv, 351 pages)0 apt. 1. Theory and practice / edited and introduced by John Bell -- pt. 2. New dialogues with history and tradition / edited and introduced by Claudia Orenstein -- pt. 3. Contemporary investigations and hybridizations / edited and introduced by Dassia N. Posner.  a"As an art form, puppetry has enjoyed a significant expansion over the past twenty years. This can be seen both in terms of its popularity in mainstream theatre and in the amount of attention that it now receives from an academic audience. This increased presence in the practical and theoretical realms is also underlined by a diversification in the definition of puppetry itself, with the term now being used to cover everything from found or traditional 'performing objects' to super high-tech projections and constructions"--cProvided by publisher. 0aPuppet theater.1 aBell, John,1951-1 aOrenstein, Claudia.1 aPosner, Dassia N.08iPrint version: z9780415705400w(DLC) 201304998740uhttps://www.routledgehandbooks.com/doi/10.4324/9781315850115zClick here to view.