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The Routledge Companion to Remix Studies

Edited by: Eduardo Navas , Owen Gallagher , xtine burrough

Print publication date:  December  2014
Online publication date:  November  2014

Print ISBN: 9780415716253
eBook ISBN: 9781315879994
Adobe ISBN: 9781134748747

 Cite  Marc Record

Book description

The Routledge Companion to Remix Studies comprises contemporary texts by key authors and artists who are active in the emerging field of remix studies. As an organic international movement, remix culture originated in the popular music culture of the 1970s, and has since grown into a rich cultural activity encompassing numerous forms of media.

The act of recombining pre-existing material brings up pressing questions of authenticity, reception, authorship, copyright, and the techno-politics of media activism. This book approaches remix studies from various angles, including sections on history, aesthetics, ethics, politics, and practice, and presents theoretical chapters alongside case studies of remix projects. The Routledge Companion to Remix Studies is a valuable resource for both researchers and remix practitioners, as well as a teaching tool for instructors using remix practices in the classroom.

Table of contents

Prelims Download PDF
Chapter  1:  Remix and the Dialogic Engine of Culture Download PDF
Chapter  2:  A Rhetoric of Remix Download PDF
Chapter  3:  Toward a Remix Culture Download PDF
Chapter  4:  An Oral History of Sampling Download PDF
Chapter  5:  Can I Borrow Your Proper Name? Download PDF
Chapter  6:  The Extended Remix Download PDF
Chapter  7:  Culture and Remix Download PDF
Chapter  8:  Remix Strategies in Social Media Download PDF
Chapter  9:  Remixing Movies and Trailers Before and After the Digital Age Download PDF
Chapter  10:  Remixing the Plague of Images Download PDF
Chapter  11:  Race and Remix Download PDF
Chapter  12:  Digital Poetics and Remix Culture Download PDF
Chapter  13:  The End of an Aura Download PDF
Chapter  14:  Appropriation is Activism Download PDF
Chapter  15:  The Emerging Ethics of Networked Culture Download PDF
Chapter  16:  The Panopticon of Ethical Video Remix Practice Download PDF
Chapter  17:  Cutting Scholarship Together/Apart Download PDF
Chapter  18:  Copyright and Fair Use in Remix Download PDF
Chapter  19:  I Thought I Made a Vid, but Then You Told Me That I Didn’t Download PDF
Chapter  20:  Peeling the Layers of the Onion Download PDF
Chapter  21:  Remixthecontext (A Theoretical Fiction) Download PDF
Chapter  22:  A Capital Remix Download PDF
Chapter  23:  Remix Practices and Activism Download PDF
Chapter  24:  Political Remix Video as a Vernacular Discourse Download PDF
Chapter  25:  Locative Media as Remix Download PDF
Chapter  26:  The Politics of John Lennon’s “Imagine” Download PDF
Chapter  27:  Détournement as a Premise of the Remix from Political, Aesthetic, and Technical Perspectives Download PDF
Chapter  28:  The New Polymath (Remixing Knowledge) Download PDF
Chapter  29:  Crises of Meaning in Communities of Creative Appropriation Download PDF
Chapter  30:  Of Re/Appropriations Download PDF
Chapter  31:  Aesthetics of Remix Download PDF
Chapter  32:  Reflections on the Amen Break Download PDF
Chapter  33:  Going Crazy with Remix Download PDF
Chapter  34:  A Remix Artist and Advocate Download PDF
Chapter  35:  Occupy/Band Aid Mashup Download PDF
Chapter  36:  Remixing the Remix Download PDF
Chapter  37:  A Fair(y) Use Tale Download PDF
Chapter  38:  An Aesthetics of Deception in Political Remix Video Download PDF
Chapter  39:  Radical Remix Download PDF
Chapter  40:  In Two Minds Download PDF
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