Abstract

In an intriguing juxtaposition, amongst a list that puts ‘some order into all the sentences or all the texts which would come forward in the name of “Deconstruction and X”’ (Derrida 2000: 283), Jacques Derrida mentions management and music almost, as it were, in the same breath:

deconstruction and literature, deconstruction and right, or architecture, or management, or the visual arts, or music, etc.