Sorry, you do not have access to this eBook
A subscription is required to access the full text content of this book.
Metrics
Views
761
In This Chapter
-
Nō and kyōgen: music from the medieval theatre
- Introduction 1
- Musical style of utai (chanting)
- Vocal quality and sound materials
- Classification and order of performance units
- Melodic patterns and rhythmic patterns
- Utai and the interpretation of text
- The chorus and dramatic expression
- The hayashi instrumental ensemble
- Contemporary performance conventions
- Transmission system and performance practice
- New developments and research issues
- Conclusion
- Notes
Abstract
Nō and kyōgen (collectively called nōgaku by scholars) possess unique musical characteristics that have been studied and theorized intensively. 2 Contemporary Japanese music writers, including musicologists, sometimes use compound terms nō no ongaku (music of nō), and kyōgen no ongaku (music of kyōgen) to refer to the musical aspects of this theatre.
Other ways to access this content:
Email to request access
Purchase this book
Related chapters
Search for more...
© Informa UK Limited, an Informa Group Company
Home | About RHO | Collections
| Free trial
| How to buy
| Promotions
| Contact us | Help & FAQs
Librarian resources
| Privacy policy
| Cookies
| Terms & conditions
