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Seeing comes before words. … It is seeing which establishes our place in the surrounding world; we explain that world with words, but words can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled. … [T]he knowledge, the explanation, never quite fits the sight. The crunch of the crostini, the slitheriness of the penne alla vodka – a question preoccupying philosophers is where these personal experiences … [of] qualia, the raw, subjective sense we have of colors, sounds, tastes, touches and smells … fit within a purely physical theory of the mind. And because I brought a critical approach to thinking about photography, I was interested in what these photographs were – not as windows through which you would look at a life and a world, but as cultural artifacts in their own right.
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